Brass stencil techniques-Learn How to Stencil and Stenciling Tips | Plaid Online

Professional scrapbook artist, paper crafter, and author, I have taught people how to make family memories into legacies for 20 years. Craft stenciling is the art by applying ink, paint, or another medium to create an image or a pattern. It creates a pattern or image by only allowing some of the medium to reach the paper. They are generally made from plastic and brass. Brass stencils are two uses—both as a stencil and an embossing plate.

Brass stencil techniques

Brass stencil techniques

Brass stencil techniques

Brass stencil techniques

Brass stencil techniques

Use your embossing stylusrunning it Brass stencil techniques the brass stencil area over your paper, creating a raised design. Dry embossing is a very simple, very elegant method of adding dimension to your artwork. Recent Posts. Stencil brushes are manufactured in a wide variety of sizes to match the project Stencil brush handles will vary in size, weight and length. These cards use black, white glossy, black matte and gold glossy embossing pastes. It is completely unnecessary to emboss in the centre of the image. Some card makers prefer to tape along all four edges of the stencil. Allow to dry, then tint entire image techniqies Brilliance inks or dye-based inks apply with a sponge-tipped applicator or sponge roller for a soft resist effect. You have created a very unique background.

Bucharest shemale. Related Posts

I just bought my CB last weekend and wondered how in the world am I going to use my brass stencils that I accumulated over the yrs. Dreamweaver's rBass pastein my opinion, is the best on the market. What is the best technique to use when loading my stenciling tool with paint? Remove stencil and clean Brass stencil techniques water. Bill Roth Jheffner. When using a dauber to stencil, Free russian babes can achieve a soft even application of paint. Thanks for your help. Please be aware that you need to make sure that this stehcil will go through Brass stencil techniques machine, they are all a bit different, and if you have to force the plates through too much the recipe may not be right for your machine. Wood: Sand smooth with fine grit sandpaper then remove sawdust with damp paper towel or tack cloth. If Nothing Stenil Changed can be found here.

JavaScript seems to be disabled in your browser.

  • The art of stenciling to decorate walls, furniture, fabrics and decorative home accessories has been around for years.
  • Quietfire Design's Techniques Gallery.
  • Thanks for sharing.

JavaScript seems to be disabled in your browser. You must have JavaScript enabled in your browser to utilize the functionality of this website. Dry embossing is a very simple, very elegant method of adding dimension to your artwork. Supplies needed are minimal: thin card stock or good quality paper, a stencil brass or plastic , an embossing tool wood handle with a steel blunt-ended needle at each end and a lightbox.

This is plastic, with a low-wattage bulb underneath to illuminate your working area. The stencil needs to be directly on top of the lightbox surface, then the cardstock on top of this.

The light from the box will shine through the stencil. Either tape the stencil to the lightbox, or tape the stencil to the front of the cardstock.

Use repositionable tape eg: Scotch Removable Magic Tape blue box or low tack masking tape. If you only have regular masking tape, reduce the tack by taping a length to a piece of clothing and remove, then repeat several times until the stickiness has virtually disappeared. This prevents the tape tearing the surface of the cardstock. Use more tape on the back of the card to position it over the stencil on the lightbox.

Turn the lightbox on - you will see the stencil clearly through the card. Using the embossing tool, trace around the edges of the lit-up shapes, using the fine point for small areas and the large for big areas. Tracing around the edges of the stencil with the embossing tool causes the fibres in the paper to stretch, which achieves the raised and embossed effect. As you can see in the samples showing frames, there is a very large central area.

Emboss as with smaller areas, by tracing around the edges of the stencil with the embossing tool. It is completely unnecessary to emboss in the centre of the image. To finish, remove the card and the stencil from the light box. For the sharpest image, allow the card to rest on the lightbox surface and warm up a little, then trace around all the images with the large end of the embossing tool. Then go back over the images again with the finer end.

You will find they emboss even more deeply. Remove card and stencil from the lightbox. Tape the stencil in position on the front of the card over the embossed image then use a sponge-tipped tool, cotton bud or eyeshadow applicator to gently tint the image with chalks for a soft, delicate hint of colour. If you originally taped the stencil to the card before embossing, miss this step as you can just leave the stencil in place on the front of the card.

Trim the embossed piece to size and use a corner punch to add elegant detail - then mount to a larger piece of contrasting cardstock the colour will show through the punch-out design.

Mount to a folded card the same colour as the first embossed image. An extra option: add organza ribbon at the fold. Using a sponge-tipped applicator this fits on your finger dab it gently on an inkpad, eg: Brilliance or dye-based inkpads in pastel shades, and pat over and around the embossed images to add a halo of colour. A foam tip Stylus tool is also ideal for this effect. Emboss a border around a ready-made aperture card: there are various stencils available which will fit most of the aperture cards on the market.

Or trace the central shape with pencil and cut out. Reposition the stencil, then dry-emboss as usual. Emboss a frame stencil several times on scrapbook pages, for instant frames and layouts. The images will flatter any photograph without overwhelming them. Emboss a frame stencil and cut out the central portion. Use as a mat to give framed photographs a completely new look. Place the stencil ON TOP of the cardstock, and tape down at the edges to prevent the stencil sliding around. Apply the paste with a palette knife like icing a cake making sure to spread it evenly over the whole stencil, taking care not to get paste underneath.

Remove the stencil and clean immediately with cold water and a soft cloth. Allow to dry, then tint entire image with Brilliance inks or dye-based inks apply with a sponge-tipped applicator or sponge roller for a soft resist effect.

Polish excess ink from the stencilled image with a soft cloth or kitchen roll for a more dramatic effect. Whilst the stencil is still in position, dust the image with Holographic, Clear Sparkle or pastel glitters for a subtle shimmer.

Shake the excess onto a piece of scrap paper before removing the stencil. Attach with brads, sticky-back jewels etc. Very elegant. How to Dry Emboss using Brass Stencils. Preparation The stencil needs to be directly on top of the lightbox surface, then the cardstock on top of this. Basic embossing Turn the lightbox on - you will see the stencil clearly through the card.

Large areas As you can see in the samples showing frames, there is a very large central area. Tip For the sharpest image, allow the card to rest on the lightbox surface and warm up a little, then trace around all the images with the large end of the embossing tool.

Adding colour Here are several ideas to add an elegant finish to your card: Remove card and stencil from the lightbox. Embossing Paste Dreamweaver Embossing Paste is available in lots of varieties. For this method, you do not need a lightbox. Brass stencils give the best effect. Variations with White embossing paste: Allow to dry, then tint entire image with Brilliance inks or dye-based inks apply with a sponge-tipped applicator or sponge roller for a soft resist effect.

Mix with Pearl-Ex, Powdered Pearls or acrylic paints for a tinted paste. Variations with Translucent paste: Whilst the stencil is still in position, dust the image with Holographic, Clear Sparkle or pastel glitters for a subtle shimmer.

Embossing Techniques. Recent Posts. October Sign Up for Our Newsletter:. Tips and Advice. Website by Pink Digital.

Once applied to the stencil surface, the stencil will remain in place and not shift. This is familiar to most card makers. If Nothing Ever Changed can be found here. Thank you for share this idea with us. How shall I care for my stenciled artwork? Found them separately again, but these were both thinner.

Brass stencil techniques

Brass stencil techniques. Learn How to Stencil and Stenciling Tips

For quick paint removal, wipe stencils with a rubbing alcohol dampened paper towel. When stenciling with oil base paints, clean stenciling supplies with low-odor turpentine or mineral spirits. From small craft surfaces to large furniture pieces, all stenciled items should have a protective finish applied after the stencil paint is thoroughly dry.

To clean or dust, simply wipe with a damp cloth. Fabric items should be heat set to fully cure the paint to the fabric surface. I hope you have enjoyed learning some stenciling basics …are you inspired to try your hand at stenciling? What will be your first stencil project? Enjoy and have fun! Please login or register to leave a comment. Email Signup. Wood: Sand smooth with fine grit sandpaper then remove sawdust with damp paper towel or tack cloth. Wipe surface with white vinegar damped cloth or paper towel and allow to dry.

Wipe surface with rubbing alcohol damped cloth or paper towel. If unprimed, apply a coat or two with gesso allowing each application to thoroughly dry before adding the second. Seal interior of terra cotta flower pot with clear acrylic sealer. Do not use dryer sheet or fabric softener. Allow to dry; if needed iron to remove wrinkles without using spray starch. Mylar is easy to use, easy to keep clean and can be reused many times.

Paint may build up on the stencil making it difficult to use and the moisture from a heavy paint build up may allow the stencil to buckle or wave. To prevent this and extend the life of a paper stencil, before using it the first time, spray seal both sides of the stencil with clear acrylic sealer.

These stencils can be used for embossing, theorem painting, or setting type to create signs. Stencils can be cut using a craft knife, very sharp fine point scissors or a stencil burning tool. Stencil brushes are usually round and made of good natural bristles; they are firm, yet flexible or allow movement and spring back to their original shape. Stencil brush handles will vary in size, weight and length. Experiment and find the one that is perfect for your stenciling needs.

When using a dauber to stencil, you can achieve a soft even application of paint. A spouncer is a circular foam sponge attached to a wood handle available in several sizes. Try experimenting with cosmetic sponges that are dense, household cellulose sponges, and sea sponges that are very loose and contain many open cells. Each type of sponge will produce a slightly different effect. Carefully lift the stencil to reveal a raised design. Allow to dry.

Dreamweaver's embossing paste , in my opinion, is the best on the market. You can also apply color once the paste has dried try chalks , dry stippling with acrylics. Be patient with yourself when you try paste embossing for the first time. It can be messy. But that's part of the fun! It's important to work quickly, as the paste dries quickly.

When you set up, have a container of warm soapy water immediately handy, so you can drop your stencil and palette knife in to soak immediately after using.

Position the stencil on your cardstock. Starting at the top of the stencil, make a "hinge" one complete piece of removable tap e across the top of the whole stencil, so that your stencil lifts up easily , and tape out any unwanted design area on the stencil. Some card makers prefer to tape along all four edges of the stencil. Remove stencil immediately by lifting straight up and "opening the hinge" to keep from damaging the paste area.

Allow to dry for minutes. These cards use black, white glossy, black matte and gold glossy embossing pastes. The "Thinking of You" card also uses copper leafing over a rubber stamped image see instructions below. I absolutely love the wonderful, elegant results gold leafing provides.

Working with gold embossing paste , follow directions above for paste embossing. Let dry. Reposition the stencil over design area and tape again, using removable tape as before. Remove stencil and drop in water until you have time to clean it. Dry the glue by using a heat gun , for approximately thirty seconds, keeping it moving so it won't bubble the paste. After letting it cool for a few seconds, test the area with your finger.

It should attach to your finger, or feel dry. Place the card on a paper work space or an open file folder. Lay the leafing sheet gently on top of design and tap with your finger or a stencil brush so it adheres to the glued area. You can also use leafing flakes , in which case you'd just tap them gently onto the prepared surface. Burnish leafing with a stiff stencil brush and don't be afraid to brush hard, as this process will remove all the jagged edges of excess gold leafing around the embossed edges.

Tap the excess pieces from the file folder into a container, as these can be used again. If Nothing Ever Changed can be found here. To use leafing over rubber stamped images, stamp your image with any embossing stamp pad ie Versamark, Top Boss, Ranger , sprinkle Stamp 'n' Bond over top Stampendous , heat set, and apply leafing as above. Deborah also uses The Essential Glue Pad for this, too. These cards use gold paste embossing with variegated metal leafing , and a sentiment stamp heat-embossed with copper embossing powder.

Fill a small fine-mist bottle undiluted bleach. Test different colors of cardstock by spraying lightly with the bleach spray bottle. Each card stock bleaches and colors differently.

Some don't have a significant amount of change, so you want to experiment to discover which ones bleach the best and give the effect you desire.

Dreamweaver трафареты уникальные методы работы с латунной трафареты кассеты Vhs | eBay

The art of stenciling to decorate walls, furniture, fabrics and decorative home accessories has been around for years. Basically, a stencil is a thin sheet of material such as paper, plastic, metal, mylar or vinyl that designs or letters are cut from and then used to replicate art when paint is transferred through the opening.

What types of surfaces can I stencil on and how should I prepare these surfaces? What kind of paint is the best to use when stenciling? What is the best technique to use when loading my stenciling tool with paint?

If you were to stencil immediately after loading the stenciling tool, your stenciled design will be heavy and you may create paint drips or run under mess where the paint may bleed under the stencil design. Should that happen, quickly clean up both the stencil design as well as the back of the stencil. Like most crafting techniques learned, stenciling too can be persuaded by personal preference.

Simply pounce or dab your stencil tool straight up and down over the stencil. How many different paint techniques are there when stenciling? Usually the lighter color is stenciled first adding a darker color over the lighter color where deeper values are desired.

Or as shown above, you can also stencil with only one color and create highlights and shading. Be sure to cover areas not to be splatter painted. Paint dots within the stencil opening, overlapping the dot work closer to the stencil edges to define the stencil design. The entire heart was stenciled yellow first and then red was added over the yellow just around the heart edges.

Copper gilding on turquoise. Yes simply flip over or reverse a clean stencil, begin stenciling on the backside to obtain a reverse image. What is the best way to clean my supplies after each use?

After each use, stencils and stencil tools should be cleaned thoroughly. Never allow paint to dry in a stencil brush as it may ruin the brush.

If using waterbase paints, clean your stencils and tools in warm soapy water. For quick paint removal, wipe stencils with a rubbing alcohol dampened paper towel. When stenciling with oil base paints, clean stenciling supplies with low-odor turpentine or mineral spirits.

From small craft surfaces to large furniture pieces, all stenciled items should have a protective finish applied after the stencil paint is thoroughly dry. To clean or dust, simply wipe with a damp cloth.

Fabric items should be heat set to fully cure the paint to the fabric surface. I hope you have enjoyed learning some stenciling basics …are you inspired to try your hand at stenciling? What will be your first stencil project? Enjoy and have fun! Please login or register to leave a comment. Email Signup. Wood: Sand smooth with fine grit sandpaper then remove sawdust with damp paper towel or tack cloth.

Wipe surface with white vinegar damped cloth or paper towel and allow to dry. Wipe surface with rubbing alcohol damped cloth or paper towel.

If unprimed, apply a coat or two with gesso allowing each application to thoroughly dry before adding the second. Seal interior of terra cotta flower pot with clear acrylic sealer. Do not use dryer sheet or fabric softener. Allow to dry; if needed iron to remove wrinkles without using spray starch.

Mylar is easy to use, easy to keep clean and can be reused many times. Paint may build up on the stencil making it difficult to use and the moisture from a heavy paint build up may allow the stencil to buckle or wave. To prevent this and extend the life of a paper stencil, before using it the first time, spray seal both sides of the stencil with clear acrylic sealer. These stencils can be used for embossing, theorem painting, or setting type to create signs.

Stencils can be cut using a craft knife, very sharp fine point scissors or a stencil burning tool. Stencil brushes are usually round and made of good natural bristles; they are firm, yet flexible or allow movement and spring back to their original shape.

Stencil brush handles will vary in size, weight and length. Experiment and find the one that is perfect for your stenciling needs. When using a dauber to stencil, you can achieve a soft even application of paint. A spouncer is a circular foam sponge attached to a wood handle available in several sizes. Try experimenting with cosmetic sponges that are dense, household cellulose sponges, and sea sponges that are very loose and contain many open cells.

Each type of sponge will produce a slightly different effect. Carefully lift the stencil to reveal a raised design. Allow to dry. Stencil adhesives are applied to the backside of the stencil and then allowed to dry tacky. Once applied to the stencil surface, the stencil will remain in place and not shift. Acrylic Craft Paints: Available in 2 oz bottles, acrylic craft paints are more likely the most frequently used type of paint when stenciling. The beauty of using acrylic craft paint is the wide color palette to choose from, paints blend well when shading, works well on most surfaces, and easy clean up with soap and water.

How shall I care for my stenciled artwork? Search for:. Connect With Us. Legal Privacy Policy. All rights reserved. Thank you.

Brass stencil techniques

Brass stencil techniques

Brass stencil techniques